With marital problems of his own, he remained a distant figure. Geesin worked to improve the score, but with little creative input from the band, production was troublesome. Geldof was initially dismissive, condemning The Wall's storyline as "bollocks". Smith disagreed, stating that Barrett was unresponsive to his suggestions and constructive criticism. Which none of the others could do", wrote biographer Nicholas Schaffner. At the end of the album, the increasingly fascist audience would watch as Pink tore down the wall, once again becoming a regular and caring person. The animated sequences would remain, but scenes would be acted by professional actors with no dialogue. Immediately arguments arose between Waters and Gilmour, who felt that the album should include all new material, rather than recycle songs passed over for The Wall.
He saw Margaret Thatcher 's response to the invasion of the Falklands as jingoistic and unnecessary, and dedicated the album to his late father. It was the band's first experience playing large stadiums, whose size caused unease in the band. Wright later described these early sessions as "falling within a difficult period" and Waters found them "tortuous". He later stated that he used the album to distance himself from Pink Floyd. In Europe, they continued to be represented by Harvest Records. The first of several Pink Floyd album covers designed by Hipgnosis, it was the second time that EMI permitted one of their groups to contract designers for an album jacket. The first was a minute demo with the working title Bricks in the Wall, and the other would later become Waters' first solo album, The Pros and Cons of Hitch Hiking. Mason and Wright became fathers and bought homes in London while Gilmour, still single, moved to a 19th-century farm in Essex. The album included Barrett's final contribution to their discography, " Jugband Blues ". Waters was reportedly deeply upset by the experience. Which none of the others could do", wrote biographer Nicholas Schaffner. The group initially hoped that his erratic behaviour would be a passing phase, but some were less optimistic, including Jenner and his assistant, June Child , who commented: Geesin worked to improve the score, but with little creative input from the band, production was troublesome. The resulting refracted beam of coloured light symbolises unity diffracted, leaving an absence of unity. Waters-led era Main articles: He later told The Sunday Times: With marital problems of his own, he remained a distant figure. The title is an allusion to lunacy rather than astronomy. Barrett created the name on the spur of the moment when he discovered that another band, also called the Tea Set, were to perform at one of their gigs. He contacted O'Rourke to discuss settling future royalty payments. On one occasion, Wright flew back to England, threatening to leave the band. There was no record company contact whatsoever, except when their label manager would show up now and again with a couple of bottles of wine and a couple of joints". Alan Parker agreed to direct and took a different approach. After a final confrontation, Gilmour's name disappeared from the credit list, reflecting what Waters felt was his lack of songwriting contributions. Waters later stated that, by not making new albums, Pink Floyd would be in breach of contract—which would suggest that royalty payments would be suspended—and that the other band members had forced him from the group by threatening to sue him. O'Rourke felt obliged to inform Mason and Gilmour, which angered Waters, who wanted to dismiss him as the band's manager. Following a performance at a Catholic youth club, the owner refused to pay them, claiming that their performance was not music.
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