To me, this film is about being open and honest, even though the characters are unable to do that. Inspired by some recent controversial writing by Hanif Kureishi, the film has already received much press coverage detailing the explicit sexual content. Not with this one. Fox plays Claire, a married woman in early middle age who meets Jay Mark Rylance , a ish barman who has left his wife and child. The epithet 'explicit' is, strictly speaking, accurate. There was no handheld camerawork in the sex scenes.
Parts for 'a fat girl in a cardie' were few and far between it seemed but they followed none the less when she relocated to Europe after toying with the idea of going to Hollywood. To me, this film is about being open and honest, even though the characters are unable to do that. We talked about being good to each other and kind, open and honest. Inspired by some recent controversial writing by Hanif Kureishi, the film has already received much press coverage detailing the explicit sexual content. But her mother takes up a position out of eye-line and the snoozing baby is set at Fox's feet. And Fox's son has slept soundly throughout. It's a situation that lends itself to comedy and it crosses my mind to ask Fox's mother what she made of her daughter's latest film. When I watched it I was eight months pregnant and was just laughing and thinking, "Imagine doing it now! That was sort of the agreement I made with myself, that I wouldn't get too precious and, as a result, I really surprised myself and did work that I never thought possible. The person she's not. So before I went into it I was incredibly clear about it. Not necessarily my own experiences but other people's. But most of all, how to ask such intimate questions of a woman you've never met before, even when the alibi of her playing a fictional character is to hand? Shallow Grave One of the three flatmates from hell in the stylish, oft-copied British thriller which did much for the careers of cast and filmmakers. How to become intimate with somebody. Patrice and I talked about how it would be good to do an extremely truthful film about a sexual relationship, about how we'd never seen a film like that. But you weren't sure if the camera was on your face or on your hand. After working in Australia for a few years, her extraordinary performance as Janet Frame in Jane Campion's An Angel at My Table both put her on the map and then left her in role-less limbo for well over a year after the film's success. Now the film is finished, Fox admits: She is relaxed and amiable; there's little of the 'chronic diffidence' other journalists who've interviewed her have remarked upon. As I came out of the cinema, a number of questions were already taking shape. Not with this one. I spent most of the time not knowing what I was doing. Maybe it's my naivety that makes me think that it can make them think about humanity and their own experience of other people. Part of that had to do with the way that we'd agreed to do it, to give myself over to Patrice and to trust him completely.
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